I’m Writing the Shadowman Halloween Issue Coming in October!

ShadowmanHalloween

Over on the New York Post’s Parallel Worlds blog they’ve announced that I’m writing Shadowman #11, a Halloween-themed one issue adventure with art by Miguel Sepulveda (Stormwatch, Red Lanterns).

I had a blast working on the H.A.R.D. Corps short story with Valiant that’s running in the July issues of their entire line and I’m excited to sink my teeth into Shadowman.

Click on the cover above to read more and see the Shadowman mask alternate cover!

Dark Skullkickers Dark #1 Reviews

DarkSkullkickersDark01Skullkickers23

Our fourth story arc wraps up in grand style with part 5 of ‘Eighty Eyes on an Evil Island’ in Dark Skullkickers Dark #1 (aka. Skullkickers #23). Here’s how critics have responded so far:

Read Comic Books: “8/10 This series is adventurous, action-packed, humorous, fun, and deep all at once. Everything in this book stands out among the horde of other available titles, from the writing style to the visuals.”

Comic Bastards: “Everything about this issue and series comes together to form one of the best titles currently being published in comics.”

Page & Panel: “It’s like a magician explaining how a trick is done. You can still be impressed by the level of craftsmanship that goes into the trick and still amazed by the sleight of hand.”

Omnicomic: “Huang’s pencils are phenomenal. There are quite a few pages and panels filled to the brim with all manner of beings taking in the spirits and he makes sure there’s equal variety on display.”

Fanboy Comics: “Dark Skullkickers Dark #1 is a terrific read. It’s filled with action, drunken buffoonery, clever concepts and colorful characters.”

Broken Frontier: “Staff Pick. Dark Skullkickers Dark #1 continues to push the boundaries of satire and swashbuckling adventure with intelligence and wit.”

Comic Book Resources: “To say the story wraps up unexpectedly is an understatement.”

Jim at PaizoCon This Weekend!

PaizoCon2013_360

This weekend I’m in Seattle as a special guest of PaizoCon 2013!

I’ll be set up in the Artist Alley near the Paizo store on site and will be signing and sketching.

On Saturday I’ve also got a panel all about the Pathfinder comic:

Pathfinder Comics with Jim Zub
Evergreen Salon G
Seminar featuring Erik Mona, Jim Zub

Join Pathfinder comics writer Jim Zub for a discussion of the exciting new series from Dynamite Entertainment! Jim will also discuss how to break into writing for comics with several fun stories from his time in the trenches.

Dark Skullkickers Dark In Stores Tomorrow!

DarkArrives

Our fourth story arc wraps up with Dark Skullkickers Dark #1 (aka. Skullkickers #23) in stores Wednesday July 3rd! Big questions are answered and beer is consumed in large amounts.

Make sure you pick up your copy and let us know what you think.

Dorkland Gaming Interview

Dorkland!

I was interviewed by Chris Helton from Dorkland all about my tabletop gaming roots and how it informs my comic work. Click on through to give it a read.

Communication Is Everything – Part Two

Last time in my tutorial series about communication I talked about staying organized. This time it’s all about tone.

Before the advent of digital-everything, the majority of freelancers lived in close proximity and interacted with comic publishers far more directly. There was a lot of face-to-face discussion, phone calls aplenty and all the nuance of human behaviour that comes with direct communication. In the modern era, with people working around the globe, most contact is filtered through email, tweeting or texting. Barring the occasional convention or business trip those mediums have become the replacement for in-person interaction. The quality of your emails, blog posts or tweets are the way people get to ‘know’ you and how they judge your character.

What this means is: How you communicate is just as important as the content itself.

Quality:

My friend Wyeth Johnson, Art Director at Epic Games, explained in his Animex presentation this year how the Human Resources team at Epic penalizes applicants who have spelling/grammatical errors in their cover letters or resumes, even if they’re applying for art-related positions at the company. You may think that sounds finicky and short-sighted, but their reasoning is sound – If an applicant isn’t detail-oriented enough to make sure their initial correspondence is flawless, how can the company expect them to deliver high quality detail-oriented production work under a strict deadline? That first impression is absolutely crucial and it starts or stops everything after it.

When I’m emailing someone new I do everything I can to make sure it reads well. Spell check and grammar check is a must. I know a lot of people read emails on their phone so I try to keep my messages bite-sized with paragraph breaks clearly denoting ‘blocks’ of information that all go together. I re-read sentences out loud to make sure they’re clear, don’t ramble, and don’t use the same word over and over again. I probably spend 6-8 times as long writing initial correspondence compared to the time I’d spend drafting up a regular email.

When I send out professional writing (pitches, scripts, etc.) I make sure it’s formatted properly and well organized. I want clients to know that I take their assignments seriously and that they’re paying for something I’ve paid attention to.

When I’m posting something online (like this blog post), I’m extra-careful about what I say and how I say it. Those words are a reflection of who I am, a publicly accessible archive of my attitude and capability that anyone can come across down the road. If I see a mistake, I correct it as soon as possible, even if it’s just a tweet or Facebook status update. Attention to detail counts.

After a relationship is established and things are rolling smoothly, it gets easier. When I send a quick email to a friend or a rapid reply to someone I’ve worked with for a while I’m not as careful and I know typos and run-on sentences will find their way in there. The overall impression of my attitude and quality of communication has previously been set. My formal work submissions are still carefully checked, but the other communication happening around it gets a bit more relaxed.

Attitude:

Tone is also really important when it comes to professional communication. Again, if someone has never met you in person the only thing they have to gauge about who you are is the text you’ve typed.

Does your communication come across as confident (but not cocky), clear (but not terse), and capable (but not know-it-all)? If you read your blog, your Facebook, your emails or your Twitter feed as a complete stranger, what would you think of the person who wrote that material? Would you hire them?

Like everyone else, I have times where I’m extremely negative, emotional, frustrated or full-on angry. I’m not perfect about it, but I try really hard not to bring that stuff online or send that nastiness out to people over email. I’m thankful I have a few near and dear friends I can contact to use as a sounding board for that kind of stuff so it doesn’t have to be permanently archived online for colleagues and strangers to see. The initial rush of adrenalin that comes from venomous output is rarely worth the troubles it will cause later on.

Tonally, my communication tends towards “conversational professional” in nature. It’s relatively formal, formal enough to show I can write competently but not English Professor-level intimidating in my choice of words or writing structure. My written grammar can be a bit loose at times, sort of like I’m typing up a conversation, just with the “um”, “hmm”, and “yeah” parts taken out.

The impression I hope I leave with people is that I’m conversational, approachable and organized. Although I make a conscious choice to come across that way in my professional correspondence, it’s not like I’m “manufacturing” it. In general that’s how I am in person as well, so I carry that same attitude over to my online chatter, adding in an extra editorial pass to ensure I make the right impression.

I don’t think any of the above is obscuring who you really are, it’s about emphasizing positive traits that will improve business relationships and dialling back negative ones that can hurt them. As much as we all wish people could instantly see how genuine and amazing we can be, all they have to go from is what we present to them. Set the right tone and you’ll get more chances to impress people with your work.

If you find my tutorial blog posts helpful, feel free to let me know here (or on Twitter), share them with your friends and consider buying some of my comics to show your support.

‘Who Will Lead the H.A.R.D. Corps?’ Short story in Full on CA

HARDCorps

Comics Alliance has just posted the full 6-page Valiant short story ‘Who Will Lead the H.A.R.D. Corps?’ that I wrote with artwork by Edwin Huang and colors by Dave McCaig.

Read on and enjoy!

What’s I’m Reading on Parallel Worlds

ParallelWorlds

Over on the New York Post’s ‘Parallel Worlds’ blog I have a new article up talking about my favourite currently running comic series.

Click on through and check it out!

Bravoman Episode 5 Released!

Bravoman Episode 5, the last one I wrote (and also my favorite), is now available for viewing online. Enjoy!



Another Little Story About My Dad

Last year I wrote a little story about my Dad on Father’s Day.

Here’s another one.

My Dad wasn’t into comic books when I was young, but he knew my brother and I were crazy about them. It felt like every waking moment was a cavalcade of reading, collecting and non-stop chatter about our favorite characters. If we were good and kept up with things he needed help with at home and the cottage he’d bring us along when he went downtown once or twice a month. He’d go pay the utilities, or the taxes, or stop by the church to make a donation and we’d go to the comic book shop.

I know it sounds weird but I don’t actually ever recall him going in to the store with us. He’d go run his errands and then wait for us outside. He didn’t “get” it, didn’t have any interest and I think staying away from the store kept us from asking him for extra money. The point is, Dad never bought comics for us, never browsed through a comic shop and had zero knowledge of the ins and outs of four-color fandom beyond the occasional episode of Batman or the Incredible Hulk on TV.

Cut to late 2010 and I’d just launched Skullkickers at Image. I’d been working at the UDON studio for seven years at that point on illustration projects and, when ever possible, I’d try to get my Dad a copy of books that were published with my artwork in it. I assumed he’d want copies of Skullkickers too but, when I asked him about it, he told me he didn’t need it. I thought he wasn’t interested because it was comics, but the truth was far more heart warming.

My Dad, the guy I can’t even recall stepping foot inside a comic shop, had gone to one of the stores in town and set up a pull file just for Skullkickers. Every month, a day or two after the new issue came out, he’d head up there and buy a copy.

skullkickers_04_cover

Apparently this went on for four months until the store owner finally struck up a conversation with him.

“Excuse me, sir. I notice you come in here every month like clockwork and buy that comic, then leave right away. Clearly you’re a fan and that’s great. We’ve got all kinds of other fantasy stuff, games and books. Can I show you some other things you might be interested in?”

From what my Mom told me, Dad was a bit thrown off but then he told him.

“Oh, no. Thanks. I… My son.”

“What’s that?”

He smiled and pointed at my name on the cover.

“My son made this comic.”

Needless to say, that kicked off a whole other conversation and they’ve been friends ever since.

Now both my Mom and Dad go in to buy new issues and Mom browses the used fiction they have there too while the shop owner keeps them up to date with other comics I have coming out. Dad picks up each Skullkickers issue from the same store, but lets me give him any variant covers we do because those are a bit too expensive.

I honestly don’t know if Dad reads Skullkickers and, if he does, if he understands what it’s about or why it means so much to me. But he knows it’s important to me and that I made it, so it’s important to him too.

Happy Father’s Day, Dad. You’re the best.

Dad