This week is a bit of a sprint. Stacy and I have a manuscript due for the next D&D Young Adventurer’s Guide (yes, more are in development, but titles haven’t been announced yet – The book market works really far in advance) and other comic writing deadlines loom in the foreground of my To-Do List. The month leading up to San Diego Comic Con is usually a rush and this year is no exception.

In stores on Wednesday is CONAN THE BARBARIAN #32, a done-in-one story I’m really proud of, built to feel like a classic Weird Tales-era Conan story. Back in the 70’s and 80’s, these kind of self-contained adventures were the norm on a book like Conan, which also meant it was easy to bring new readers on board, giving them a complete reading experience for the cover price of a single issue.
So, if you follow this newsletter and haven’t had the chance to read the series yet, do me a favor and check this one out. I think you’ll be pleasantly surprised, and Doug Braithwaite‘s line art mixed with Diego Rodriguez‘s colors is always a winner.
A mysterious woman with an even more mysterious mission hires Conan to be her bodyguard on a sacred task across forbidden lands. Is any reward worth the risk? The Cimmerian is about to find out…

This Interview is Truly Disturbing

I spoke to Sam at Truly Disturbing all about my ongoing commitment to Conan the Barbarian – Discovering Conan, misconceptions people have about the character, writing sword & sorcery stories, and more!
Using AI
The discourse about AI use in creative projects is a steady thrum now. Is it “inevitable”, as the AI companies want people to believe, or will it pop like NFTs and other tech trends that had limited useage but weren’t as transformative as the market assumed? Only time will tell, but in the here and now I know how it affects my current workflow – not much at all.
When Midjourney first launched free online, I typed in a half-dozen image prompts and thought the output looked creepy. That’s the only time I sought it out.
I’ve never used AI to make text for my writing or correspondence. I don’t have any Ai-dedicated programs installed and turn off AI features I find in tools I use.
Once I found out that AI was predictive text not actual knowledge and that platforms were being trained on material without permission or compensation, I knew that using it for writing would both be a copyright minefield and morally bankrupt.
Because AI systems are being injected into so many programs and platforms, I’m sure it’s a background presence as I work (AI summaries on research that I don’t trust until I dig deeper, AI generated captions on audio, etc.) but I do not want generated material in my plots, descriptions or dialogue.
I know large language models and neural networks can be useful at sifting through data and have powerful applications in science and medicine, but think that its use in creative art and writing robs creators of personal analysis and growth.
Storytelling and making art is more than just output, even when it’s a commercial endeavor. They’re time capsules of who you are at that moment – Your skill and development. Your priorities and influences.
Offloading that to the randomness of those systems closes you off from that growth.
I want a glimpse at the people who made that story/art, I want to see their specific choices and collaborations, not a random homogenized product they pasted together and put their name on.
Less ‘perfect’, possibly, but far more insightful and tactile.
Building a Beautiful Brick

Speaking of self-contained time capsules, late last week I finished laying out and uploading print files for the upcoming WAYWARD COMPENDIUM, the 904-page softcover compilation of the creator-owned series Steven Cummings and I published at Image from 2015 to 2018. Going back through all 30 issues brought on a rush of great memories and reminded me of how proud I am of what our team put together.
This Compendium arrives in September and will give readers who never had the chance to discover the series when it first came out an easy way to read it all, and retailers an even easier way to keep it in stock since this book will be one beautiful value-priced brick instead of six separate trade paperbacks.
Buy one for yourself, got another as a gift for someone you know. It’s gonna be a beauty.
Current + Upcoming Releases
- MAD About DC – 2nd printing – released June 3.
- Conan the Barbarian #32 – releases June 24.
- Conan the Barbarian #33 – releases July 29.
- Conan the Barbarian #34 – releases August 26.
- Journey to the West: The Beginning – releases September 15.
- Savage Sword of Conan #16 – releases September 16.
- Conan the Barbarian vol. 4-6 Slipcase Set – releases September 16.
- Conan: Tides of the Tyrant-King #1 – releases September 23.
- Savage Sword of Conan vol. 1-3 Slipcase Set – releases September 23.
- Wayward Compendium – releases September 29.
- Conan the Barbarian #35 – releases September 30.
Upcoming Appearances
Apologies for the last minute change, but I’m unable to attend Fan Expo: Anaheim this week. Personal stuff has come up and I need to be here at home. Thanks for your understanding.

| Jul 11, 2026 | Dungeon Comics 1pm-4pm | Oakville, ON, CANADA |
| Jul 23-26, 2026 | San Diego Comic Con | San Diego, CA, USA |
| Jul 30-Aug 2, 2026 | Gen Con – Booth 1349 | Indianapolis, IN, USA |
| Aug 15, 2026 | Comics Assemble | Gloucester, England, UK |
| Aug 27-30, 2026 | Fan Expo Canada | Toronto, ON, CANADA |
| Oct 15-18, 2026 | Gamehole | Madison, WI, USA |
| Nov 12-15, 2026 | D&D Weekend | Lake Sinclair, GA, USA |
| Jan 14-16, 2027 | Philadelphia Area Gaming Expo | Philadelphia, PA, USA |
Other Links
• My friend David Pepose has a new crowdfund campaign for his creator-owned comic series The O.Z., an alternate world survivalist take on The Wizard of Oz.
• The Dark Man Journal is moving online, and the first two videos on their new YouTube channel are interviews with Arlene Stephenson and Jacque Chidress from the Robert E. Howard Museum and Rusty Burke, who started Howard Days 40 years ago.
Jim




































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