Thank you for helping make this year such an amazing one.
Here’s to an epic 2023!

September 19, 2022 (PORTLAND, OR) – Oni-Lion Forge, in collaboration with Warner Bros. and Adult Swim, announces the release of a new Rick and Morty miniseries, Rick and Morty VS Cthulhu, launching December 7, 2022. This first installment of the four-part miniseries journeys down the Lovecraft rabbit hole, reuniting the Eisner-nominated creative team from Rick and Morty VS Dungeons & Dragons — writer Jim Zub, illustrator Troy Little, colorist Leonardo Ito, and letterer Crank!

Fans of Rick and Morty have spent the past few years speculating on the almost-century-old cosmic villain as all episode’s opening credits feature a quick glimpse of Cthulhu, and more recently “Baby Cthulhu,” in the closing credits.

“Lovecraft horror has stuck around for decades because it asks important questions like ‘Does humanity matter in the face of an unfeeling unknowable universe?’” waxes creator Jim Zub. “Rick and Morty asks equally pertinent questions about ourselves, our existence, and the jerks who create our pop culture, so I figured it was time to peanut butter that chocolate and take a big bite.”

Returning to the creative well is Troy Little. Zub says, “Troy is one of the absolute best cartoonists in comics. His ability to take every over-the-top moment I write and translate them into jaw-dropping pages full of humor and emotion made Rick and Morty VS Dungeons & Dragons and its sequel a huge hit. Now we’re back for a third interdimensional outing, but this one is even more messed up than before. Troy’s spin on Lovecraft’s tales of cosmic horror will bust guts and break minds. You are not prepared.”

“… If you are reading this, I’ve already succumbed to the madness,” shares illustrator Troy Little. “As a comic artist, I believed I had some innate ability to cope with insanity, but the depths of the horror I have been forced to illustrate have tested my very limits. I only hope that this warning reaches you in time. If you have access to a portal gun, do not hesitate to flee into any other dimension.”

Little warns of cocreator Jim Zub, “His phosphorus yellow eyes… I still see them in my waking dreams. The words written with cryptic symbols only I can understand. I am compelled to draw these indescribable beasts and bear witness to the fate of Rick and Morty. This madman the ancients call ZUB weaves a tale so moist you can feel it. For this wordsmith I would sacrifice my sanity. All for ZUB.”

RICK AND MORTY VS CTHULHU #1 (of 4)
story by Jim Zub
art and cover by TROY LITTLE

What could be worse than an off-planet sugar deal gone wrong? Tripping through a Lovecraftian hellscape with the Smith family as they fight, uh, cosmic sentient color and racist fish people? That can’t be right…

I’ve been teaching Layout + Design and Animation History at Seneca College since 2004. I’ve taught a bunch of other courses, but those two have been constant.

Today is my last Animation History lecture and that feels so strange.

Seneca’s Animation program is undergoing a major curriculum overhaul in September. The new streams look amazing and will keep our grads on top of the changing industry but within that new structure Animation History as its own course is being phased out.
https://www.senecacollege.ca/programs/fulltime/ANI.html

Concepts and examples from Animation History will be incorporated into drawing and design courses where relevant, but it’ll be different from filling a lecture hall, watching each age of film and analyzing them.

Gathering films from the past has been a hobby and a vocation.

Digging in to understand how innovators and inventions have changed art and entertainment has enriched me in so many ways.

I’m going to miss it a lot.

At the start of each term I’d stress to students that we only had time to skip lightly along the surface to give an overview and inspire them.

For every film we watched there were hundreds more worth finding and learning from, but hopefully this would spark that discovery.

Once you decide to tell stories or make art for a living you can’t be a passive viewer of your entertainment. You have to take everything apart and learn from it. You have to be critical and deepen the pools of inspiration you draw from.

History isn’t just facts and dates.
It’s context and connectivity.
It’s emotional and humorous.

I strived to make Animation History fun and engaging, peppering each lecture with unexpected asides, useful comparisons and as many jokes as needed to get through the boring bits.

If I inspired students to be more curious, keep learning on their own, and remember key creators and films because it felt relevant and poignant to them, then the course was a success.

Now it’s the end of an era.
History is history. 😜

Thanks for giving me such a unique opportunity, Seneca.
It’s been a blast.

Multi-pose panels with ghosted figures are one of my favorite ‘pure comics’ storytelling devices.

When I started collecting comics, this panel from Amazing Spider-Man #231 drawn by John Romita Jr. (inked by Jim Mooney with colors by Bob Sharen) blew my mind.

I was hooked.

It’s a moment frozen in time, but also animates back and forth in my mind.

Kinetic and wondrous.

I hope a comic I’m involved with makes that same kind of magic for a young reader, spurring them on to read and create.

It’s also the reason why I want to write Amazing Spider-Man some day, to try and capture and share a tiny spark of that same magic I felt as a reader and collector.

I’m playing Minsc, the infamous Human Ranger, as part of the new Idle Champions – Trials of Mount Tiamat liveplay D&D game running on Monday nights for the next two weeks. Here’s our third episode!

B. Dave Walters is our Dungeon Master.
Hope LaVelle plays Penelope, a Halfling Druid.
Meagan Kenrekt plays Widdle, a Dhampir Wizard.
LaTia Jacquise plays D’hani, an Aarakocra Monk.
Shareef Jackson plays Shaka, a Tiefling Warlock.

I’m an industry expert on The Dream Team episode 5, a new series available on CBC Gem right here:
gem.cbc.ca/media/the-dream-team/s01e05

I advise Tate Ovbiagbonhia, a young comic book creator from Brampton, on how to take his superhero story to the next level.

In addition to tutorials, I’m starting to put together some interviews with other comic creators to talk about process. First up is Jed Mackay, writer on Moon Knight, Black Cat and Magic: The Gathering.

We talk about how he broke in, his scripting process (including some sneak peeks at script pages) and more. Check it out!

I Dungeon Mastered a special 3-part Dungeons & Dragons adventure for a group of authors we call Wizards & Wordsmiths!

Join me, Kevin Hearne (Ink & Sigil), Adib Khorram (Darius the Great Deserves Better), Andrea Robertson (Forged in Fire and Stars), Sherri L. Smith (The Blossom and the Firefly), and David Yoon (Frankly In Love) as we embark on a culinary and creepy adventure in three parts!

Over on the True North Country Comics site I have a list of 10 Go-to comics or graphic novels you need to check out and add to your collection. Read my quick rundown on some of the best the comic medium has to offer and, if you’re missing any, make sure you put them on your reading list!

B. Dave Walters (writer of Dungeons & Dragons: a Darkened Wish) and I met up online to play a special one-shot Vampire: The Masquerade session and talk about our experiences in comics and gaming.

We toggle between an interview chat and the game session, but if you want to jump straight to the gameplay, you can click HERE.